Fusing Lab and Gallery
Device Art in Japan and International Nano Art
Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science – an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on »art & science«, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change – between now and the future.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Content
Seiten 5 - 6 -
Introduction
Seiten 7 - 18 -
Thanks
Seiten 19 - 20 -
I. Art and Technology in Japan - Some Intersections
Seiten 21 - 86 -
II. From Disenchantment to Re-enchantment
Seiten 87 - 174 -
III. Media Art and the Future
Seiten 175 - 230 -
Epilog
Seiten 231 - 236 -
Bibliography
Seiten 237 - 258 -
Illustration Credits
Seiten 259 - 260 -
Backmatter
Seiten 261 - 262
17. Juli 2012, 262 Seiten
ISBN: 978-3-8376-2026-9
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