Fusing Lab and Gallery

Device Art in Japan and International Nano Art

Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science – an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on »art & science«, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change – between now and the future.

34,80 € *

2012-07-17, 262 Seiten
ISBN: 978-3-8376-2026-9

Sofort versandfertig,
Lieferzeit 3-5 Werktage innerhalb Deutschlands

Preise inkl. Mehrwertsteuer. Versandkostenfreie Lieferung innerhalb Deutschlands, für Ausnahmen siehe Details.

Mengenrabatt

Weiterempfehlen

Sarah M. Schlachetzki

Sarah M. Schlachetzki, Universität Zürich, Schweiz

Autor_in(nen)
Sarah M. Schlachetzki
Buchtitel
Fusing Lab and Gallery Device Art in Japan and International Nano Art
Verlag
transcript Verlag
Seitenanzahl
262
Ausstattung
kart., zahlr. Abb.
ISBN
978-3-8376-2026-9
DOI
Warengruppe
1582
BIC-Code
AC
BISAC-Code
ART015000 ART019000
THEMA-Code
AGA
Erscheinungsdatum
2012-07-17
Auflage
1
Themen
Wissenschaft, Kunst
Adressaten
Art History, Sociology, Philosophy, Cultural Studies
Schlagworte
Media Art, Science, Japan, Nanotechnology, Modernism, Device Art, Interdisciplinarity, Arts, Art History, Asian Art, Fine Arts

Unsere Website verwendet Cookies, um bestimmte Funktionen bereitzustellen.

Datenschutzerklärung