Dance [and] Theory
Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept?
The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Contents
Seiten 5 - 10 -
Dance [and] Theory. Introduction
Seiten 11 - 18 -
Dancing and Theorizing and Theorizing Dancing
Seiten 19 - 32 -
ARTISTIC RESEARCH
Artistic Research: Between Experiment and Presentation
Seiten 35 - 44 -
A Few Remarks about Research in Dance and Performance or - The Production of Problems
Seiten 45 - 50 -
Knowledge and Collective Praxis
Seiten 51 - 62 -
It does not matter or The Artist Out (of the Picture)
Seiten 63 - 68 -
Artistic Research between Dance and Theory - A Response in Six Questions
Seiten 69 - 74 -
References
Seiten 75 - 78 -
PANEL AESTHETICS
Aesthetic Experience
Seiten 81 - 88 -
The Question of the Aesthetic
Seiten 89 - 96 -
The Resistance to Dance Theory. Being-With, the Aesthetic Event
Seiten 97 - 102 -
Beautiful Affects in Choreography
Seiten 103 - 106 -
Intertwinings: The Dis/Positions of Dance Aesthetics
Seiten 107 - 114 -
Unexpected Horizons of Meaning
Seiten 115 - 118 -
Parallel Universes and Aesthetic Dis/Balance: Theory Interrupted, Dance Distracted
Seiten 119 - 128 -
References
Seiten 129 - 134 -
LECTURE
Dance Theory as a Practice of Critique
Seiten 137 - 150 -
PANEL POLITICS
Dance and Politics
Seiten 153 - 158 -
Pitfalls of 'the Political.' Politization as an Alternative Tool for Dance Analysis?
Seiten 159 - 166 -
The Politics of Time
Seiten 167 - 172 -
Contemporary Dance and the Critical Ontology of Actuality
Seiten 173 - 176 -
Geo-Politics, Dissensus, and Dance Citizenship: The Case of South Asian Dance in Britain
Seiten 177 - 182 -
Resilient Bodies, Stirred. Political Anecdotes from the Field of Contemporary Choreography
Seiten 183 - 186 -
Remarks Concerning the Ontology of Dance
Seiten 187 - 190 -
References
Seiten 191 - 194 -
Dis/Balances. Dance and Theory
Seiten 197 - 210 -
PANEL ARCHIVES
Steps and Gaps: Curatorial Perspectives on Dance and Archives
Seiten 213 - 218 -
Body, Archive
Seiten 219 - 222 -
The Constructive Compromise
Seiten 223 - 226 -
Dance/Archive/Exhibition? Moving between Worlds
Seiten 227 - 230 -
The Archive in Motion
Seiten 231 - 234 -
"Mal d'Archive" - in a Different Sense than Jacques Derrida's
Seiten 235 - 240 -
Leaving and Pursuing Traces 'Archive' and 'Archiving' in a Dance Context
Seiten 241 - 246 -
References
Seiten 247 - 250 -
PANEL NEXT GENERATION
Thoughts on the Now in the Future
Seiten 253 - 264 -
A Relational Perspective on Dance and Theory - Implications for the Teaching of Dance Studies
Seiten 265 - 270 -
dé-position. Or How to Move in(to) the Future?
Seiten 271 - 276 -
Embryology as Choreography
Seiten 277 - 282 -
Hypothesis Number Nine: The Image Is an Organ
Seiten 283 - 286 -
What's 'next'?
Seiten 287 - 290 -
In the Making. On the Generation of Movement between Dance and Theory
Seiten 291 - 296 -
An Institution Is only as Good as the People who Work there Can be. No?
Seiten 297 - 308 -
References
Seiten 309 - 312 -
Notes on Contributors
Seiten 313 - 324
27. März 2014, 324 Seiten
ISBN: 978-3-8394-2151-2
Dateigröße: 1.07 MB
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