Situating Global Art
Topologies – Temporalities – Trajectories
In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Acknowledgements
Seite 5 -
Contents
Seiten 6 - 8 -
Introduction
Seiten 9 - 10 -
Situating Global Art. An Introduction
Seiten 11 - 32 -
Epistemological Frameworks
Spectres of 1989: On some Misconceptions of the 'Globality' in and of Contemporary Art
Seiten 35 - 52 -
The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary
Seiten 53 - 62 -
The Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society, 天下無事"
Seiten 63 - 74 -
"A Collage of Globalization" in Documenta11's Exhibition Catalogue
Seiten 75 - 88 -
Institutional Politics
Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects
Seiten 91 - 110 -
Gulf Labor: The Boycott as Political Activism and Institutional Critique
Seiten 111 - 128 -
You Can't Always Curate Your Way Out! Reflections on the Ghetto Biennale
Seiten 129 - 154 -
Generation 00: The Artist as Citizen
Seiten 155 - 164 -
Museological Narratives
How Far How Near: A Global Assemblage in the Modern Art Museum
Seiten 167 - 190 -
Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating
Seiten 191 - 212 -
Curating as Transcultural Practice. documenta 12 and the "Migration of Form"
Seiten 213 - 230 -
Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization
Seiten 231 - 252 -
Practices of Self-Cultivation
The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun
Seiten 255 - 274 -
Transculturally Entangled - Qiu Zhijie's Concept of Total Art
Seiten 275 - 288 -
Globalization as an Artistic Strategy: The Case of Takashi Murakami
Seiten 289 - 300 -
The Blind Spot of Global Art? Hans Ulrich Obrist's Ways of Curating
Seiten 301 - 326 -
Biographies
Seiten 327 - 336
27. Juni 2018, 336 Seiten
ISBN: 978-3-8376-3397-9
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