Traces of Aging
Old Age and Memory in Contemporary Narrative
This collection consists of eight essays that examine the way narratives determine our understanding of old age and condition how the experience is lived. Contributors to this volume have based their analysis on the concept of »narrative identity« developed by Paul Ricoeur, built upon the idea that fiction makes life, and on his definition of »trace« as the mark of time. By investigating the traces of aging imprinted in a series of literary and filmic works they dismantle the narrative of old age as decline and foreclosure to assemble one of transformation and growth.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Contents
Seiten 5 - 6 -
Introduction Literature that Returns to Life and the Mystique of Age
Seiten 7 - 20 -
Keeping Appointments with the Past Time, Place, and Narrative Identity in W.G. Sebald's Austerlitz
Seiten 21 - 40 -
Haunted by a Traumatic Past Age, Memory, and Narrative Identity in Margaret Atwood's The Blind Assassin
Seiten 41 - 64 -
"The whole aspect of age is full of possibilities!" Traces of Ageing, Memory, and Sexuality in Daphne du Maurier's "Don't Look Now"
Seiten 65 - 90 -
Ageing, Agency, and Autobiography Challenging Ricoeur's Concept of Narrative Identity
Seiten 91 - 110 -
An Appetite for Life Narrative, Time, and Identity in Still Mine
Seiten 111 - 132 -
Memory, Dementia, and Narrative Identity in Alice Munro's "The Bear Came Over the Mountain"
Seiten 133 - 148 -
Horror Mortis, Structural Trauma, and Postmodern Parody in Saul Bellow's Henderson the Rain King
Seiten 149 - 168 -
Rewriting the Story, Restorying the Self Doris Lessing's Experiments in Life-Writing
Seiten 169 - 188 -
Contributors
Seiten 189 - 192
2016-05-27, 192 Seiten
ISBN: 978-3-8394-3439-0
Dateigröße: 0.95 MB
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