Hawaiian Hula `Olapa
Stylized Embodiment, Percussion, and Chanted Oral Poetry
Monika Lilleike's performance analytic study on Hawaiian Hula `Olapa reveals how this genuine performing art practice shapes and transmits oral history via a distinct set of performative means of framing and stylization. The intermedial confluence of performance elements, sound, body and words instills an oscillating effect of multisensory experience which echoes a deep rooted sense concerned with place, distinct environmental features, and story line. The study appeals to discussions on intermediality, metaphoricity, and to an anthropology of the senses. It outlines practice as research and embodied knowledge as tools to conduct performance analysis.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Table of Contents
Seiten 5 - 10 -
Preface
Seiten 11 - 12 -
Acknowledgements
Seiten 13 - 14 -
Introduction
Seiten 15 - 34 -
Part I. Methods
Methods I: Practice as Research
Seiten 37 - 62 -
Methods II: Interart Aesthetics and Performance Analysis
Seiten 63 - 92 -
Methods III: Scoring Performance Practice
Seiten 93 - 116 -
Part II. Analysis
Analysis I: Staging Oral Poetry by Means of Hula 'Ōlapa Performance Practice
Seiten 119 - 154 -
Analysis II: A Performance Aesthetic Study on Stylized Gestural Articulation
Seiten 155 - 238 -
Analysis III: By Means of Contrast in Performance
Seiten 239 - 268 -
Analysis IV: Keying Performance Activity - The Call-And-Response Practice in Hula 'Ōlapa Performance
Seiten 269 - 292 -
Conclusion
Seiten 293 - 298 -
Appendices
Seiten 299 - 338
17. November 2016, 338 Seiten
ISBN: 978-3-8376-3669-7
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