Faking, Forging, Counterfeiting

Discredited Practices at the Margins of Mimesis

Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices – creative acts in themselves – rather than as mere rip-offs of an original work of art.

The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.

34,99 € *

2017-12-19, 248 Seiten
ISBN: 978-3-8376-3762-5

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Mengenrabatt

Weiterempfehlen

Daniel Becker

Daniel Becker, Ludwig-Maximilians-University Munich, Germany

Annalisa Fischer

Annalisa Fischer, Ludwig-Maximilians-University Munich, Germany

Yola Schmitz

Yola Schmitz, Ludwig-Maximilians-University Munich, Germany

Autor_in(nen)
Daniel Becker / Annalisa Fischer / Yola Schmitz (eds.)
Buchtitel
Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis
Verlag
transcript Verlag
Seitenanzahl
248
Ausstattung
kart., zahlr. Abb.
ISBN
978-3-8376-3762-5
DOI
10.14361/9783839437629
Warengruppe
1559
BIC-Code
HBTB ABA DSB
BISAC-Code
HIS054000 ART009000 LIT000000
THEMA-Code
NHTB ABA DSB
Erscheinungsdatum
2017-12-19
Auflage
1
Themen
Kulturgeschichte, Literatur, Kunst
Adressaten
Art History, Literature Studies, Theatre Studies, Philosophy
Schlagworte
Forgery, Culture, Cultural Transfer, Translation, Imitation, Original, Copy, Aesthetic Practice, Creativity, Faked Tradition, Pseudotranslation, Imposter, Identity Theft, Hoax, Cultural History, Art, Literature, Theory of Art, General Literature Studies, Media Aesthetics, Cultural Studies

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