Transnationalizing Radio Research
New Approaches to an Old Medium
Transnationalizing Radio Research presents a theoretical and methodological guide for exploring radio's multiple »global ages«, from its earliest years through its recent digital transformations. It offers radio scholars theoretical tools and concrete case studies for moving beyond national research frames. It gives radio practitioners inspiration for production and archiving, and offers scholars from many disciplines new ways to incorporate radio's vital voices into work on transnational institutions, communities, histories and identities.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Contents
Seiten 5 - 10 -
Introduction: Transnationalizing Radio Research: New Encounters with an Old Medium
Seiten 11 - 30 -
Section 1: Asserting identity: Minorities' Use of Community Radio
Community Radio and Transnational Identities
Seiten 33 - 46 -
Accented Radio in Miami and New Orleans
Seiten 47 - 56 -
Radio, Refugees and Migrants Workshop: TRE Conference, Utrecht, 2016
Seiten 57 - 58 -
You Can't Tell My Story for Me! Community Media as a Means of Expression in Multilingual Local and Globalized Contexts
Seiten 59 - 64 -
Desi Radio by and for the Panjabi Community: Citizens' Media, Gender, and Participation
Seiten 65 - 72 -
Gaywaves: Transcending Boundaries - the Rise and Demise of Britain's First Gay Radio Program
Seiten 73 - 80 -
Section 2: Transnational Communities of Aesthetic Practice
Transnational Encounters and Peregrinations of the Radio Documentary Imagination
Seiten 83 - 100 -
Production and Use of Packaging Elements in Radio: Concepts, Functions and Styles in Transnational Comparison
Seiten 101 - 116 -
Makrolab as an Apparatus for Global Observation
Seiten 117 - 124 -
Transcultural Audio Storytelling: When German, Australian and African Voices Meet
Seiten 125 - 130 -
Section 3: Staging Encounters: Translating Places and Identities
A Transnational Approach to Radio Amateurism in the 1910s
Seiten 133 - 142 -
Radiophonic Cities The City Portrait in Transnational Radio Collaborations
Seiten 143 - 154 -
European Music? The International Broadcasting Union's 1930s Concert Series Concerts Européens
Seiten 155 - 162 -
From Enzensberger to Clausen: An Auditive Transformation
Seiten 163 - 168 -
Section 4: Doing Transnational Radio Research and the Digital Archive
Transnational Radio Research and the Digital Archive: Promises and Pitfalls
Seiten 171 - 182 -
Cultural Memory in the Digital Age
Seiten 183 - 196 -
Worlding the Archive: Radio Collections, Heritage Frameworks, and Selection Principles
Seiten 197 - 208 -
Radio Diffusion: Re-collecting International Broadcasting in the Archive of Radio Netherlands Worldwide
Seiten 209 - 222 -
Promising Prospects, and the Hurdles Along the Way: Sharing and Archiving Community Media Content Online
Seiten 223 - 230 -
Section 5: Digital Radio Landscap es - Transnational Challenges, National Solutions?
Making DAB Work: New Opportunities for Digital Radio in Europe
Seiten 233 - 246 -
Opening up the Debate: Irish Radio, Facebook, and the Creation of Transnational Cultural Public Spheres
Seiten 247 - 256 -
New Radio and Social Media: Public Service Radio Forms of User Participation and Inclusion
Seiten 257 - 270 -
The Role of Boundary Objects in Collaborative Radio Production
Seiten 271 - 282 -
Researching Podcast Production - an Australian Podcast Study About Women and Work in Are We There Yet?
Seiten 283 - 292 -
Surveying International Public Radio: Some Practical Insights
Seiten 293 - 300 -
Outro: The Future of Radio Studies
Seiten 301 - 314
2. Oktober 2018, 314 Seiten
ISBN: 978-3-8376-3913-1
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