Digital Media and Textuality
From Creation to Archiving
Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms?
These and other questions are addressed in this volume that assembles contributions by artists, writers, scholars and editors such as Dene Grigar, Sandy Baldwin, Carlos Reis, and Frieder Nake. They offer a multiperspectival view on the way digital media have changed our notion of textuality.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 6 -
Contents
Seiten 7 - 8 -
Preface
Seiten 9 - 12 -
Part One: "Nothing Comes of Nothing"
Rhapsodic Textualities
Seiten 15 - 22 -
Passing the Calvino Test? Writing Machines and Literary Ghosts
Seiten 23 - 44 -
Part Two: Introspective Texts
Writing Through Contemporary Self-Translation A Constructive Technogenetic Intervention
Seiten 47 - 56 -
Pwning Gamers, One Text at a Time
Seiten 57 - 72 -
Part Three: Where is Narrative?
Character: A Concept That Does Not Stand Still
Seiten 75 - 86 -
Shelley Jackson's Grotesque Corpus Notes on my body⎯a Wunderkammer
Seiten 87 - 106 -
Choice and Disbelief: Revisiting Immersion and Interactivity
Seiten 107 - 132 -
Creative Process: Interweaving Methods, Content and Technology
Seiten 133 - 150 -
Distilling the Elements of "Networked Narratives" with Digital Alchemy
Seiten 151 - 166 -
Part Five: Trans-Multi-Inter-Meta (The Medium)
The Creative Process as a "Dance of Agency" Shelley Jackson's Snow: Performing Literary Text with Elements
Seiten 169 - 186 -
Narrative Across Media: Trans-Stories In-Betweeness
Seiten 187 - 204 -
Part Six: Tracking and Preserving Texts
Face, a Keyword Story The Archiving Vocabulary for Facial Expression in the German Imaginary from Printed Text to Digital Image
Seiten 207 - 252 -
Curating "Shapeshifting Texts"
Seiten 253 - 270 -
Postscript Loosely Connected Only to What it's Coming After
Seiten 271 - 278 -
Contributors
Seiten 279 - 286
27. Dezember 2017, 284 Seiten
ISBN: 978-3-8376-4091-5
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