Anonymity Performance in Electronic Pop Music

A Performance Ethnography of Critical Practices

In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations.

This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music.

34,99 € *

2019-03-27, ca. 250 Seiten
ISBN: 978-3-8376-4256-8

Erscheint voraussichtlich bis zum 27. März 2019

Preise inkl. Mehrwertsteuer. Versandkostenfreie Lieferung innerhalb Deutschlands, für Ausnahmen siehe Details.

Weiterempfehlen

Stefanie Kiwi Menrath

Stefanie Kiwi Menrath, Berlin, Germany

Autor_in(nen)
Stefanie Kiwi Menrath (ed.)
Buchtitel
Anonymity Performance in Electronic Pop Music A Performance Ethnography of Critical Practices
Verlag
transcript Verlag
Seitenanzahl
ca. 250
Ausstattung
kart., z.T. farb. Abb.
ISBN
978-3-8376-4256-8
Warengruppe
1591
BIC-Code
AVA AVGP JFC
BISAC-Code
MUS020000 SOC022000
THEMA-Code
AVA AVLP JBCC
Erscheinungsdatum
2019-03-27
Auflage
1
Themen
Popkultur, Musik
Adressaten
Cultural Studies, Popular Music Studies, Performance Studies, Musicology, Celebrity Studies
Schlagworte
Culture, Pop Music, Performance, Ethnography, Anonymity, Musicology, Popular Culture, Music, Cultural Studies

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