Decentering Musical Modernity
Perspectives on East Asian and European Music History
This collection investigates the concept of modernity in music and its multiple interpretations in Europe and East Asia. Through contributions by both European and East Asian musicologists it discusses how a decentered understanding of musical modernity could be matched on multiple historiographical perspectives while being attentive to the specificities of local music and their narratives in East Asia and Europe. The essays connect local, global and transnational history with sociological theories of modernity and modernization, making the volume an important contribution to overcoming the Eurocentric dichotomy between western music and world music within the field of historical musicology.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Content
Seiten 5 - 6 -
Preface
Seiten 7 - 8 -
Introduction: Musicology, Musical Modernity, and the Challenges of Entangled History
Seiten 9 - 40 -
Modernity as Postcolonial Encounter in Korean Music
Seiten 41 - 62 -
Modernity, Regionality, and Twentieth-Century Symphony: On Jean Sibelius and Yamada Kōsaku
Seiten 63 - 86 -
Music at the Service of Nordic Modernity? Wilhelm Stenhammar's Opening Cantata for the "General Arts and Industries Exhibition" in Stockholm in 1897
Seiten 87 - 122 -
Different Interpretations of Musical Modernity? Xiao Youmei's Studies in Leipzig and the Foundation of the Modern Chinese Folk Orchestra
Seiten 123 - 144 -
Traditional Music, Alternative Modernity, and Internal Colonialism: Reassessing the Campaigns for National Music and Folk Songs in Taiwan
Seiten 145 - 172 -
Reflexivity as Method: A Historiographical Comparison of Finnish Pelimanni Music and Taiwanese Hakka Music
Seiten 173 - 206 -
Nonsimultaneity of the Simultaneous: Internationalism and Universalism in Postwar Art Music until the 1970s
Seiten 207 - 246 -
Synchronizing Twentieth-Century Music: A Transnational Reflection
Seiten 247 - 278 -
Multiple Musical Modernities? Dahlhaus, Eisenstadt, and the Case of Japan
Seiten 279 - 312 -
Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and Colonialism
Seiten 313 - 344 -
General Index
Seiten 345 - 370 -
Authors
Seiten 371 - 374
13. Juni 2019, 374 Seiten
ISBN: 978-3-8394-4649-2
Dateigröße: 8.06 MB
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