Music Practices Across Borders
(E)Valuating Space, Diversity and Exchange
Connecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Conceiving music as a practice not confined to audibility, the contributions reveal how music emerges in concrete situations through people, objects, techniques, meanings, and emotions in different parts of the world and during different historic periods. Values are thereby created and shared, and creative processes are evaluated in terms of diversity, space and exchange.
This book presents cases of contemporary, popular and traditional music, festivals and trade fairs, albums and band projects, shedding light on the tensions between the transfer, reconstruction and creation of music in different contexts.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Content
Seiten 5 - 6 -
Introduction-Music practices across borders
Seiten 7 - 40 -
Valuation in a reversed economy
Seiten 41 - 60 -
Culture, creativity and practice
Seiten 61 - 84 -
"Come and expose yourself to the fantastic music from around the world"
Seiten 85 - 104 -
From desire for recognition to desire for independence
Seiten 105 - 126 -
The invention of African art music
Seiten 127 - 150 -
Contemplating musical life in Tunisia under the French protectorate-the society and challenges
Seiten 151 - 166 -
The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century
Seiten 167 - 190 -
Brazilian grooves and cultured clichés
Seiten 191 - 210 -
About the authors
Seiten 211 - 214
2019-06-04, 214 Seiten
ISBN: 978-3-8376-4667-2
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