Music – Media – History
Re-Thinking Musicology in an Age of Digital Media
Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Contents
Seiten 5 - 6 -
Editor's Note
Seiten 7 - 8 -
An Introduction
Seiten 9 - 14 -
"Living in a Material World," Contemplating the Immaterial One—Musings on What Sounds Can Actually Tell Us, or Not
Seiten 15 - 30 -
The (Re)Construction of Communicative Pasts in the Digital Age
Seiten 31 - 50 -
The Narratological Architecture of Musical lieux de mémoire
Seiten 51 - 80 -
Beethoven in 1970, Bernstein and the ORF: Cultural Memory and the Audiovisual
Seiten 81 - 106 -
Women's Voices in Radio
Seiten 107 - 118 -
'Real Sound,' Readymade, Handmade: Musical Material and the Medium Between Mechanization, Automation, and Digitalization as an Impression and Expression of Reality
Seiten 119 - 150 -
Sonic Icons in A Song Is Born (1948): A Model for an Audio History of Film
Seiten 151 - 168 -
The Production, Reception and Cultural Transfer of Operetta on Early Sound Film
Seiten 169 - 182 -
The Address of the Ear: Music and History in Waltz with Bashir
Seiten 183 - 196 -
"I've never understood the passion for Schubert's sentimental Viennese shit"—Using Metadata to Capture the Contexts of Film Music
Seiten 197 - 216 -
Connecting Research: The Interdisciplinary Potential of Digital Analysis in the Context of A. Kluge's Televisual Corpus
Seiten 217 - 240 -
Modelling in Digital Humanities: An Introduction to Methods and Practices of Knowledge Representation
Seiten 241 - 262 -
Playing with a Web of Music: Connecting and Enriching Online Music Repositories
Seiten 263 - 282 -
A Few Notes on the Auditive Layer of the Film
Seiten 283 - 286 -
Afterword
Seiten 287 - 292 -
List of Contributors
Seiten 293 - 300
12. Januar 2021, 300 Seiten
ISBN: 978-3-8394-5145-8
Dateigröße: 3.59 MB