Powerful Prose
How Textual Features Impact Readers
What makes a reading experience »powerful«? This volume brings together literary scholars, linguists, and empirical researchers who tackle the question by investigating the effects and reader responses generated by selected extracts of literary prose. The twelve contributions theorize this widely-used, but to date insufficiently studied notion, and provide insights into the therefore still mysterious-seeming power of literary fiction. The collection explores a variety of stylistic as well as readerly and psychological features responsible for short- and long-term effects – topics of great interest to those interested or specialized in literary studies and narratology, (cognitive) stylistics, empirical literary studies and reader response theory.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Contents
Seiten 5 - 8 -
Acknowledgments
Seiten 9 - 10 -
Experiencing Powerful Prose
Seiten 11 - 22 -
Part I Emotional Experiences: Textual Features Eliciting Positive, Negative or Mixed Emotions
A Psycho-Biological Approach to Suspense and Horror: Triggers of Emotion in a Passage from Lewis's The Monk
Seiten 25 - 44 -
Repeated Pleasure: Reading the Threesome Ménage Romance as Digital Literature
Seiten 45 - 62 -
Negating the Human, Narrating a World Without Us
Seiten 63 - 76 -
Refiguring Reader-Response: Experience and Interpretation in J.G. Ballard's Crash
Seiten 77 - 96 -
Part II Coming to the Fore: The Subtle Influence of Rhythm, Sounds, and Sensory Representations
Lives and Deaths of Gatsby: A Semantic Reading of a Key Passage in a Powerful Text
Seiten 99 - 110 -
Introducing Jane: The Power of the Opening
Seiten 111 - 128 -
Performing Rhythm Through Enunciation: Prose Versus Poetry
Seiten 129 - 144 -
The Pictorial Paradigm of La Vallée: A Text-Image Reading of the Incipit of The Mysteries of Udolpho
Seiten 145 - 164 -
Part III Readers, Characters, Authors: Relations Formed by Textual Features
The Nature of the Agonistic in a Pragmatics of Fiction
Seiten 167 - 188 -
The Relevance of Turning a Page: Monotony and Complexity in §25 of David Foster Wallace's The Pale King
Seiten 189 - 206 -
The Language of Engagement and the Projection of Storyworld Possible Selves in Roberto Bolaño's The Savage Detectives
Seiten 207 - 230 -
"Smuggling in Accidental Poetry": Cognitive and Stylistic Strategies of a Stammering Teen in David Mitchell's Black Swan Green
Seiten 231 - 248 -
Contributors
Seiten 249 - 252 -
Editors
Seite 253 -
Index
Seiten 254 - 264
30. September 2021, 264 Seiten
ISBN: 978-3-8376-5880-4
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