Theater in Lebanon
Production, Reception and Confessionalism
With a rich history of conflicts, a society full of contrasts, Lebanon presents a theater not less fascinating with its wide spectrum of social peculiarities. Confessionalism, which crystallizes to a key concept in the social balance as well as its misbalance, defines the images of the »self« and of the »other« within the Christian and Moslem social worlds and in the manner they interrelate with each other. It also generates a complex base for the interpretation of theatrical signs and symbols, theater being another stage for interaction between two conflicting social worlds. This book sheds a light on theater in Lebanon, its production and reception, the significance of theatrical performance and its implications, and the many categories ruling this phenomenon.
Kapitel-Übersicht
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Frontmatter
Seiten 1 - 4 -
Table of Contents
Seiten 5 - 10 -
Introduction
Seiten 11 - 44 -
The Environment of Theater (Level I)
Seiten 45 - 90 -
Outer-Performance Production (Level II)
Seiten 91 - 136 -
Outer-Performance Reception (Level II)
Seiten 137 - 160 -
Performance (Level III) and Post-Performance (Level IV)
Seiten 161 - 178 -
Summary and Conclusion
Seiten 179 - 198 -
Appendix A: Excerpts and Examples from the Fieldwork
Seiten 199 - 234 -
Appendix B: Diagrams
Seiten 235 - 252 -
Appendix C: Arabic Transcriptions
Seiten 253 - 346 -
Appendix D: German Summary
Seiten 347 - 354 -
Bibliography
Seiten 355 - 362
27. Juli 2015, 362 Seiten
ISBN: 978-3-8394-0387-7
Dateigröße: 63.06 MB
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