
David Frohnapfel
David Frohnapfel studied art history, comparative literature, and religious studies at Ludwig-Maximilians-Universität in Munich and at the Universidad de la Habana in Havana. He works on contemporary art and visual culture from the Caribbean region and defended his dissertation, Disobedient Musealities. Dialogue and Conflict in the Art Scene of Port-au-Prince, at Freie Universität Berlin in 2017. His research focuses on decolonial theory, critical race theory, critical whiteness studies, and affect theory. He also worked as curator of The 3rd Ghetto Biennale: Decentering the Market and Other Tales of Progress in Port-au-Prince together with Leah Gordon, André Eugène, and Jean Herald Celeur, and curated the exhibition NOCTAMBULES on Queer Visualities on the occasion of Le Forum Transculturel d'Art Contemporain.
transcript-Publikationen in den Bereichen: Kulturwissenschaft, Kunst- und Bildwissenschaft, Kunstgeschichte, Museum, Museumsmanagement und Ausstellungspraxis, Postcolonial Studies
Publikationen in den Reihen: Postcolonial Studies
Web:
Facebook
Veröffentlichungen
Buchbeiträge
-
Alleviative Objects
Frontmatter
Seiten 1 - 4 -
Table of Contents
Seiten 5 - 6 -
Acknowledgements
Seiten 7 - 10 -
Glossary
Seiten 11 - 14 -
Introduction
Seiten 15 - 56 -
1 Sharing Silences: Inter-klas Dialogues in the Art Scene of Port-au-Prince
Seiten 57 - 106 -
2 Conditional Hospitality: Atis Rezistans in European and U.S. American Art Institutions
Seiten 107 - 148 -
3 Gestures of Generosity: Politics of Emotions at the Ghetto Biennale in Port-au-Prince
Seiten 149 - 204 -
4 Between Harmony and Anger: Exhibition Spaces by Eugène, Guyodo, Getho, and Papa Da
Seiten 205 - 248 -
5 Disobedient Musealities: The Master's Tools Revisited
Seiten 249 - 284 -
Resume: Alleviative Objects, or Translating Black Suffering into White Pedagogy
Seiten 285 - 290 -
Bibliography
Seiten 291 - 312 -
List of Illustrations
Seiten 313 - 318