
Sabine Sörgel
Sabine Sörgel received her PhD in Performance and Media Studies from Johannes Gutenberg University, Mainz/Germany. In 2003 she conducted field research with the National Dance Theatre Company of Jamaica in Kingston. From 2008 - 2012 she was Lecturer in Drama, Theatre and Performance at Aberystwyth University and a research fellow at the Interweaving Performance Cultures Research Centre Berlin in 2011. From 2013-2019 she was Senior Lecturer in Dance and Theatre at University of Surrey in Guildford, UK. Her publications include »Dancing Postcolonialism – The National Dance Theatre Company of Jamaica« (2007), »Dance and The Body in Western Theatre. 1948 to the Present« (2015) and »Contemporary African Dance Theatre: Phenomenology, Whiteness, and the Gaze« (2020) as well as several book chapters, edited volumes and journal articles on contemporary dance, theatre and performance.
transcript-Publikationen in den Bereichen: Kulturwissenschaft, Postcolonial Studies, Tanzwissenschaft, Theater- und Tanzwissenschaft
Publikationen in den Reihen: TanzScripte
Veröffentlichungen
Buchbeiträge
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Dancing Postcolonialism
Frontmatter
Seiten 1 - 4 -
Table of Contents
Seiten 5 - 6 -
Acknowledgements
Seiten 7 - 8 -
Intro: Tracking the Cross-Cultural Field - The Journey to Jamaican Dance
Seiten 9 - 22 -
On Creolization - Theorizing Caribbean Identity
Seiten 23 - 42 -
Dance and Postcolonial Nationalism - Embodying Emancipation
Seiten 43 - 94 -
Jamaica's National Dance Theatre Company - A Postcolonial Reading of the Repertoire
Seiten 95 - 208 -
Coda: After the Journey - The Remains of the Dance...
Seiten 209 - 212 -
Bibliography
Seiten 213 - 229 -
Backmatter
Seite 230 -
Theater und Medien / Theatre and the Media
Zur Medialität des Performativen im zeitgenössischen Tanz/Theater
Seiten 319 - 328 -
Politik mit dem Körper
1968: Contextualizing Contemporary Dance and Dance Theatre
Seiten 223 - 234 -
Emerging Bodies
Transnationalism and Contemporary African Dance: Faustin Linyekula
Seiten 83 - 92 -
Moving (Across) Borders
The Global Politics of Faustin Linyekula's Dance Theater
Seiten 79 - 92