Lisa Gaupp, Anna Abramjan, Frida Mervecan Akinay, Katharina Hilgert, Anna Catharina Mulder, Rebecca Schmidt, Viviane Schnitzler, Ole Thurich, Lucas Tiemon, Swantje Wurl, Mira Zimmermann
Curatorial Practices of the 'Global': Toward a Decolonial Turn in Museums in Berlin and Hamburg?
Who decides what is included in the contemporary canon of 'global arts'? This empirical mixed-methods study examines how different notions of the 'global' are curated in so- called 'global' visual arts in two German museums. Decolonial aesthetics, postcolonial thought, and the provenance of exhibition objects have challenged the legitimacy of German museums and have triggered a debate on their Eurocentric perspective, their situatedness, the differentiation between artefact and artwork, and the reproduction of colonial thinking and patterns of domination. Although a critical turn in current curatorial practice can be observed, it is not clear whether this change is the result of a genuine effort to decolonize art organizations. In this regard, the potentials, restrictions and applications of academic concepts such as »anti-racist« or »postcolonial curating« are discussed. This study found indications of a decolonial turn in a predominantly White European curatorial practice and emphasizes the need for further changes to this context.