Zu »cross media« wurden 27 Artikel gefunden!

Which strategies of external communication do conflict parties use during asymmetric conflicts and what shapes the selection of these communication strategies?

This book investigates the paradoxical relationship between mediation and authenticity in various medial forms from books to TV, from computer games to music.

In our times, every cultural statement is situated in translation between different cultures and media: between texts, images, films, graphic novels, theater and performance, dance and music – and asks for a new understanding of translation.

The fields of cross-cultural and cultural psychology both acknowledge the role of `culture' for the constitution of a meaningful practice. There are notable differences as well as remarkable commonalities between nomologically oriented cross-cultural psychology on the one hand and interpretive cultural psychology on the other. Contributions to this book discuss recent theoretical and methodological approaches from both fields in order to explore their joint potential for an advancement of the concept of culture, for the theoretical conceptualization and methodical completion of comparative cultural studies and the scientific understanding of cultural difference.
This volume includes contributions by Ernest E. Boesch, Kenneth J. Gergen, Rom Harré, Gustav Jahoda and Jaan Valsiner.

During recent years, literary texts in electronic and networked media have been a focal point of literary scholarship, using varying terminology. In this book, the contributions of internationally renowned scholars and authors from Germany, USA, France, Finland, Spain and Switzerland review the ruptures and upheavals of literary communication within this context. The articles in the book focus on questions such as: In which literary projects can we discover a new quality of literariness? What are the terminological and methodological means to examine these literatures? How can we productively link the logics of the play of literary texts and their reception in the reading process? What is the relationship of literary writing and programming?
With contributions by Jean-Pierre Balpe, Susanne Berkenheger, Friedrich W. Block, Philippe Bootz, Laura Borràs Castanyer, Markku Eskelinen, Frank Furtwängler, Peter Gendolla, Loss Pequeño Glazier, Fotis Jannidis, Thomas Kamphusmann, Mela Kocher, Marie-Laure Ryan, Jörgen Schäfer, Roberto Simanowski and Noah Wardrip-Fruin.

Current findings from anthropology, genetics, prehistory, cognitive and neuroscience indicate that human nature is grounded in a co-evolution of tool use, symbolic communication, social interaction and cultural transmission. Digital information technology has recently entered as a new tool in this co-evolution, and will probably have the strongest impact on shaping the human mind in the near future. A common effort from the humanities, the sciences, art and technology is necessary to understand this ongoing co- evolutionary process.
Interactivity is a key for understanding the new relationships formed by humans with social robots as well as interactive environments and wearables underlying this process. Of special importance for understanding interactivity are human-computer and human-robot interaction, as well as media theory and New Media Art. »Paradoxes of Interactivity« brings together reflections on »interactivity« from different theoretical perspectives, the interplay of science and art, and recent technological developments for artistic applications, especially in the realm of sound.

War – a game? This volume points out the hidden convergences and connections between military technology and electronic entertainment.

South-eastern Europe is still characterized by social unrest today. This volume deals with trans-national and national remembrance cultures in their similarities and differences from the 19^th century until the post-Yugoslav era.

The volume probes the potential of the concept of participatory cultures for examining past and contemporary forms of collaboration in print and other media cultures.

From the ashes of postmodern deconstruction there are
arising networks in all areas of society. This book brings together hermeneutics, actor-network theory and new media studies to create a vision for the global network society.